There is plenty of intertexuality in the novel Frankenstein written by Mary Shelley. The main point would be evidence of the Creation Story in the book of Genesis in the Old Testament of the Bible.
“How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful!- Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same coulour as the dun white sockets in which they were set, his shriveled complexion and straight black lips” (p. 60).
Mary Shelley brought much of the Genesis story to the limelight in her novel Frankenstein. The Creation Story was the major point of the novel. Shelley describes how the creature was created and made to appear as some sort of monster that everyone would be scared of. In the book of Genesis, God was the Creator of Adam and Eve who also symbolized his greatest work of art. Victor is described as the Creator of the creature. He had control of the monster’s appearance and was portrayed as being the ultimate creator just as was God. He was the one who took complete control of this project and knew it was going to be a great masterpiece.
In chapter seventeen, Frankenstein tells the doctor that he wants him to create someone of the opposite of sex so that he can have a wife. He did not think Frankenstein was going to want to married another monster like him as his future bride. Just like in the Creation Story, God did not think that Adam and Eve were going to bring sin into the world by eating the apple that the serpent enticed them to eat. This is another correlation with the Genesis story of the creation of Adam and Eve. Victor stated that:
“His words had a strange effect on me. I compassioned him, and sometimes felt a wish to console him; but then I looked upon him, when I saw the filthy mass that moved and talked, my heart sickened, and my feelings were altered to those of horror and hatred. I tried to stifle these sensations; I thought, that I could not sympathise with him, I had no right to withhold from him the small portion of happiness which was yet in my power to bestow” (130).
The creature wanted someone to love. He wanted to share some compassion with someone he would love. Victor was empathetic towards the creature and knew that he wanted someone to love him like any other human being would want to be loved. In the book of Genesis, God wanted Adam and Eve to love each other. He knew he would still love them even though they had both brought sin to the world. He did not shun them unlike Victor who shunned the creature. The creature knew that he was not being given the proper love God gave Adam and Eve.
In conclusion, it is evident Mary Shelley’s Frankenstein was closely founded on the book of Genesis. Her creativity allowed her to make close associations with religion. Readers can look at her novel from different perspectives. No matter what point of view they have, one thing is for sure, Frankenstein keeps discussions alive.